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SJ Busking Blog – Basement Busking Advice

Special guest blog by StreetJelly performer: Rewind.
SJ Busking Blog – Basement Busking Advice.

Rewind

Rewind

Years ago I used to busk on Pearl Street in Boulder, Colorado. It was a great way to get my music in front of a wider audience as well as make some extra money. Some days I would earn just a few bucks, and others I would come home with a lot more. StreetJelly is the closest thing to an online version of busking I have found. Call it basement busking. I learned a lot of performance tips during my time busking, and many of those are relevant to online busking from the basement. We recently had the chance to take StreetJelly on the road and travel to Asheville, NC to talk with the Asheville Busker’s Collective. I thought it would be a good time to go ahead and publish a blog post on some of these basement busking tips I learned from my Pearl Street days.

•    Be prepared. I would never think of playing a song in front of a group of people while busking if I didn’t know the song well. Learn the lyrics if it’s a cover song and know which key you are going to play the song in. Bring a cheat sheet as a backup. If you know you are going to play a song that you need a cheat sheet for in advance, look it up online and keep a separate window open on your computer that you can quickly switch to. Have a set list planned out in advance. It’s not a problem to stray from your set list, but it can help you if you get stuck trying to remember what the heck you were going to play.

•    Minimize the time you spend in between each song. If you have a story to tell about the song, that’s fine, but it’s best to keep it brief. When you’re busking, most people are walking by, and you have a short stretch of time to catch their attention. This is true of basement busking, too. If someone pops into your show, and you are tuning for a long time or spending lots of time figuring out what song to do next, chances are good that person will leave your show and go check out something else.

Shop Light•    Don’t wait for requests. It’s human nature that people connect to songs they already know and like, so lots of musicians throw cover songs into their set to maintain crowd interest. You can ask your audience if they have any requests. But if they don’t answer quickly, don’t wait around until they do. Chances are good you won’t know it, and most of the time the viewers just want to hear whatever you want to play.

•    Location, location, location. For anyone who has ever busked outside, you know how crucial location can be. With online busking, your location is often wherever in your house you set up; basement, living room, garage, and so on. Before you broadcast, look at how your performance will look to your viewers. Is the lighting good? You’d be amazed at what a lamp or a shop light duct taped to a mic stand can do. Is there a bunch of junk in the background that distracts from your performance? Maybe change locations or put up a backdrop. I made a cheap frame out of PVC pipe and hung a blanket over it when I had to broadcast from a room that had a lot of other stuff going on.PVC Frame

If you have any other basement busking tips, share them in the comments section below.

Simple Stereo Broadcasting by Bill Hall

Special guest blog by StreetJelly performer: Bill Hall.
Thoughts on the new StreetJelly.com “Jellycaster” stereo broadcasting process (and optional simple stereo set up).

Bill HallOverview:
The StreetJelly.com stereo broadcasting system nicknamed “Jellycaster” not only supports stereo broadcasting but it supports such broadcasting in exceptional high fidelity. I believe it is as good or better than you will have available on any other streaming sites. On StreetJelly, we have a very varied group of performers with different ways of presenting their music and all will benefit from this excellent available sound process.

For example: Some musicians add pre-recorded stereo background tracks from commercially available software programs such as “band in a box” or even separate drum machines. Some performers like adding effects such as reverb, chorus and vocal harmonizers. All can be done with varying amounts of complexity and all can sound great when heard via the Jellycaster.

My own simple stereo set up:
In my particular case, I use two microphones in a simple stereo setup called an XY configuration (described well in the Shure stereo microphone tutorial link below). I set up the microphones about chin level and two feet away to pick up my guitar and vocal as one stereo signal. Please note: I am by no means saying it is the best way to go but it just works for me and is simple to set up for acoustic musicians/singers. It also is a very pure stereo signal.

Getting a simple stereo set-up into the computer:
Some choices for transferring this type of simple stereo broadcasting into the computer are: 1) Use a USB audio interface, containing some good mic pre-amps and good analog to digital converters (Mackie, M-Audio, Pre-sonus and other companies produce these). They are now relatively inexpensive A simple two channel version is about $100-$200 U.S.. 2) Use one of the nice USB stereo microphones available today for a reasonable price, or 3) Buy a small format USB mixer that has at least two channels equipped with simple one knob compressors and effects (most importantly reverb).

My recommended option:
For the simple type of stereo set up as described herein, I recommend option 3). It gets you all the basic variables that are most important for good sound. Companies such as Yamaha, Behringer, and Samson make stereo USB mixers for $100-$200 U.S. equipped as described herein. This allows you to to apply some reverb for a little ambiance to all Channels (usually 4-12 in small format mixers). That said, all you need for an XY set up are two channels with a little stereo reverb and some simple compression (to make the overall sound a little fuller and tame the peaks a bit).
Below, is a link to Samson’s YouTube video describing their models just to give a nice idea of the essential features. Note: all the brands have nice microphone pre-amps on these models nowadays.

Summary:
Again, this is just a recommendation for getting there simply. More elaborate set-ups will sound wonderful on the Jellycaster as well. Contact me if you want any help setting up such a simple system at billhall@billhall.us

Thanks to Frankie and Martina for getting this great Stereo option in place.
Bill

Shure Website – Stereo microphone configuration (see XY)
http://www.shure.co.uk/support_download/educational_content/microphones-basics/stereo_microphone_techniques

Samson on YouTube – good simple video included on their small format stereo mixers

Are you an Anti-marketer?

Special guest blog about the “Drive-by” from StreetJelly blues musician: Clifton Printy

An interesting phenomenon occurs every few months or so. I call it “anti-marketing.” There are those who for some reason feel entitled to viewers coming to their shows. Some are atrocious hacks and some are superb artists, but almost all of them are completely without a following. They get on StreetJelly and play for a short while.

"Did you just pull a Drive-by?"

“Did you just pull a Drive-by?”

As a passerby, they wander through other shows gradually adopting the attitude wanting… no demanding… other musicians’ viewers. Then :bam! They announce in someone else’s show for those viewers to come to their show. It’s the infamous “Drive-by,” the biggest faux-pas you can make in online live streaming.

There are regulars on the site who have shared so much of their crowd.  Like Larry, Lana, Image and Family, Heading West, and Kelly_Mark who have honed their branding and created a crowd. Larry brought his following with him. He still frequents other shows and introduces many to the SJ family. He advertises his shows on Facebook and talks directly with his followers. Beside him being a professional musician, Larry constantly checks out new artists and encourages them. Heading West spent months supporting SJ members before ever doing a show. Lana sends out tagged Facebook posts to her followers and her fans every single show. She supports other shows and engages the audience directly from her show. Image and Family has supported everyone, worked to solve problems, created events for other artists, and sends random swag to individuals. Kelly_Mark has done a few shows and has supported hundreds.

The examples are endless and exactly what it takes to relate to a crowd in the modern age. We deliberately build connections with our followers. It helps them identify with us and conversely us with them. We connect and support one another. There will probably be viewers at any given show, as it is at most venues. But we must not forget this is a stage. Your viewership here depends on you, your sound, your ability to perform, how well you engage the audience, and how well you treat others.

The problem I see with the drive-by is not only for the musician getting his viewers barked at, but also for that person committing the blunder. It is very hard to discern the talent level or personal attitude of the individual. They may very well be a person of quality and integrity with a great show to offer. Because of this I think a lot of us are willing to overlook the intrusion into our time, and the disruption of our show’s flow. We try to encourage the other artist to the extent that we pseudo endorse the encouragement of that artist. Our fans also reciprocate the same. So that person then some how has become part of our “brand.” Basically, the people on SJ are so nice that the offender may not even know he has trampled on others.

Further; there are many performers in these virtual settings that feel entitled to a stage. It is important to consider that these shows and the attendance is not always about talent. Sometimes we are talking about long forged friendships and value systems. As an example, would a Christian band’s fan-base be likely to attend a death metal band show? Probably not. So why would an artist expect to solicit viewers from a completely different genre? Also, it does happen sometimes that a great performer sits empty on SJ while at the same time a so/so artist has a great draw. It’s just something we have to accept.

Having witnessed the huge heart of our regular StreetJelly crowd, I know how hard it is for people to discourage certain behaviors. There is, however, no benefit for you as an individual artist to allow this bad behavior, i.e. the drive-by. Go ahead and say, “It is really not polite to come to my show and tell people your are going to play in 10 minutes.”  My friends, it is not about attitude nor is it rude. Would you go to an amphitheater and ask the people to come to the parking lot for a show? Would it be polite to walk up to the stage at a local pub and ask people over the microphone to come next door in ten minutes? It is an unethical practice that steals from the moment of the performing musician, and puts the offender in an unfavorable light. The dreaded Drive-by is the opposite of marketing. It’s anti-marketing!

IAAM Radio

Special guest blog by IAAM Radio DJ Taz. I keep in touch with our friends at It’s All About Music – IAAM Radio and the tireless work they do promoting Indie artists. I asked fellow U.S. Army trooper, Johnathan Hurwitz, a.k.a. DJ Taz, to share with us how IAAM came to be. Enjoy! ~Frankie

DJ Taz - Johnathan Hurwitz

DJ Taz – Johnathan Hurwitz

In early 2009 I served as a moderator on a drum forum and thought, why not start a forum about music with an emphasis on Indie artists. I really enjoyed it and then I met DJ Anubis from Hordes of Chaos via Metal Tavern Radio. He got me into internet broadcasting and so in 2010, Its All about Music – IAAM Radio was born. Now keep in mind, this is not my day job. It’s always been a hobby. My real job is no secret, I’m an Officer in the US Army. I have deployed several times and when I do, others have kept IAAM Radio running like my good friend DJ Anubis.

In 2010 we went full bull, Shoutcast Servers with unlimited storage and bandwidth, 24×7 streaming with programed play and it was fun, at first. Costs for what we had then to operate annually was just about $700. I paid for most of this out pocket. We tried various advertisement gimmicks but we wanted the ads to show on a noninterference basis, so the user experience on the web site was not hampered. The demand for our service was very high with bands sending us tracks to feature and listenership was up, but the dollars for support just did not come in. Sadly I was ready to call it a day. Then in 2013 DJ Anubis told me he switched to Podcasting and seemed to enjoy it more. After doing some homework, I drew up a new plan for IAAM.

IAAM RadioIn 2014 IAAM changed from a 24×7 stream to a Podcast and we had something a bit different. We decided to record the shows in Video. There are lots of internet radio stations out there but very few offer a live video feed of what they are doing. We revamped the web site, kept the name and put out a funding campaign to cover the cost of the site, its servers, and our url: www.iaamradio.rocks. Low and behold we raised the $350 required in about a month. Being upfront with our fans, when we hit that amount we told everyone, now some would say why, you could have raised more… True, but at that point all we required was the $350 and we wanted to establish ourselves as trustworthy. Though buying a new sports car and private island did come to mind, we decided nah. We also love to plug business and services that we find outstanding like www.StreetJelly.com The Jelly is awesome, a great place for any artist to perform. I love your site all kinds of talent with live bands streaming their shows to bedroom guitarists. The entire concept at StreetJelly is amazing. Folks have a great time there. I even performed a few times and enjoyed the experience.

You asked me what type of shows does IAAM have? We have three segments, Cool Breeze – Jazz, R&B, Soul and more. Indie Atonal – Pure Raw Indie Bands and The Blender – everything under the kitchen sink. What is neat about Cool Breeze and The Blender is we Feature Indie Bands with mainstream. We have had many listeners ask, who is that band? More than when we do Indie Atonal alone. We took a risk on this and it works well for the bands. We also list every band with a link to their sites so fans can support them directly. Many listeners of our podcast have purchased music directly from the bands we feature and I know the artists appreciate it. When we are live, we social shotgun blast across Facebook, Google Plus and Twitter that we are airing. Not just a band name and track but we actually cross link the artists on our social feeds with hashtags, and such so people see a snippet from their pages.

You asked me how do we choose what Indie Bands to feature? Simple, on our site we have an About Section. In short we are not Pay to Play, there are some Podcasters and 24×7 streams that do that, we don’t. All we ask is the band send us a shout out. We listen to their music and let them know we like it and if they send us tagged tracks with a shout out they are in, regardless of genre. The shout outs are used when we are live right before we feature a track. They are also used when we do Auto DJ. On our site we have a video and chat area where we re-broadcast our shows or simply run every Indie track we have at random. This is not a Shoutcast stream, the server simply hosts what we put in the player. Many get us confused with a 24×7 Internet Stream but we remind them we are a podcast.

Having fun with DJ Taz - Live!

Having fun with DJ Taz – Live!

Big Up to the Artists/Bands who sent us posters, items to give away etc. We know it’s tough for bands to break even and when we receive such items we are truly appreciative. Forgot to mention, we even have video shout outs and those are cool. We post those on the site with a full bio of the band, links to their material and social feeds etc. Fans have sent us shout outs as well, who can’t love those. Some have asked if we would add back the Shoutcast 24×7 stream? Tough question, and it seems for now no due to cost and time.

We also share other Podcaster’s shows like DJ Anubis’. If you love pure raw metal, Indie and mainstream, you must check his show out at http://djanubisreviews.blogspot.com/

You asked what is in store for the future? So far we are still having fun. Jan 1 2016 is our sixth year, hard to believe. As we get older, time and interests may change but for now so long as I have the time I will keep doing the shows. I’m not a prolific DJ. I don’t have that voice you can’t get enough of. I do have a passion for music, love to have a beer during the show and chatting with folks in the chat room while we are live. Taking requests is always fun and once in a while we even do live interviews or let people call in to say hello and be part of the show. My wife is super, she supports me and knows I enjoy it so much. My kids like it as well, I have had them on a few times, DJ Mini Taz and DJ Mini Mini Taz, lol.

Any advice for Indie Bands? Yes, always Tag Your Tracks (Band Name, Title, Artist, Album Name if EP put EP in there…), update your social feeds, even drop an update on feeds that support you so you get seen. Never ever attack mainstream. Why? Most if not all mainstream started out at one time or another as an Indie artist, so don’t be a hater. Hate the corporate machine if you like but in the end if your goal is to strike a deal and sign, then you too have just become mainstream. We have a few Indie bands that are Grammy nominees, signed and doing very well. What is neat about them is they still visit us and we really appreciate that. Lastly don’t be a hopper, pick a few good podcasts and/or Internet Stations and be loyal to them and they will do so in return. Just because you send out your tracks to 100s of places does not mean you are getting featured. There are online casters who have 1000s of Indie tracks sent to them and that means you are 1 in 1000s. We have 124 bands so far, that is just under 2,000 tracks of Indie we feature and yea we rotate them or play them if by request. We have a system that helps keep track of when we last featured a band. With 1000s that can get real hard to manage. If we ever got that big, we would have to re-look how we run the place. In the end, send away but at least pick a few and keep in touch with them.

What’s up with your mantra? Ah Keep it Real and Stay Crazy! Well that is me and my real job can be tense at times so it’s always good to step back and just take things in when you can. Be who you are, keep things real and let your hair down, have some fun i.e. stay crazy. On that note, thanks for having me, catch you on the playground.

-DJ Taz

Jonathan Hurwitz

BB King Tribute, by Clifton Printy

Special guest blog by StreetJelly blues musician: Clifton Printy

Yesterday one of my guitar heroes died. It was none other than the Legendary BB King. I could hardly express the influence this man has had on my playing style. From his “Butterfly” Vibrato technique to the live performance adjustment of volume and tone on his guitar. It was the accurate and articulate clean notes combined with over the top Gospel Blues vocal lines that changed my playing style for ever.

Some where around 2000 I could no longer stand the sound of my over driven AX2 and the distorted mud of my Humbucker pickups. At about the same time my friend Steven Lowell McGinnis, currently with the Bolt Ons, bought an American Strat and began playing clean through a Mesa Boogie. I heard that tone again. I had to have a sound like that.

Most of us would have a terribly difficult time emulating the raw powerful cadence and answer of BB King’s vocals against that always spot on guitar, but man I am going to try.

Thank you Mr. King for your 12,000 shows, for your generous nature, your appreciation of your crowd, and most importantly for teaching me that tone and technique are more important than speed and effects any day.

Rest in Peace King of the Blues.

BB King - Original Artwork by Clifton Printy

BB King – Original Artwork by Clifton Printy

Making True Friends Online

Special guest blog by StreetJelly musician Nicole Coward, a.k.a. SongbirdLive, on her recent trip meeting StreetJelly friends (from the US and Canada) in Mexico.

Making True Friends Online

Nicole and Kristi, Mexico 2015

The “new age” question of whether it’s possible to “make true friends online” is an interesting one. ​For sure, one of the things I love most about my experience on StreetJelly.com has been meeting new people. People who show genuine care for each other, learning each others strengths, weaknesses and struggles, supporting each other along their paths and watching each other grow…sure sounds like friendship doesn’t it? So what happens when you finally meet someone face to face whom you’ve already connected with online…

Recently, me and the aptly named “whispering John” were lucky to meet Kristi “Lady Mellow” and Rick “Keys Tomato” when we found out we were staying at places less then 15 minutes apart from each other IN MEXICO and at the SAME TIME!! Small world eh? (that was my Canadian’ness coming out there).

Nicole and Krisit JammingIt was a magical evening, singing together under the stars on a warm night, in the centre square of a small Mexican town. Kristi was fantastic with vocal harmonies, and I was honoured when she told me (before singing together my original song “Through My Window”) how she was so excited to sing this in person after she has sang along with me so many times before in her kitchen. We can easily forget how music connects us, we can never fully see all of it’s powerful reaches, and a platform like Streetjelly really magnifies it!

Friends? Definitely! Instantly! Or maybe we were even before meeting in person 😉 me and John made plans to visit Kristi and Rick sometime, sing more together and we hope to be meeting other “friends” from SJ, in person, in the near future.

Check out the YOUTUBE video John did of that evening…

Building Profitable Entertainers

Special guest blog by StreetJelly musician Clifton Printy to help his fellow musicians.

Building Profitable Entertainers

Clifty and Jim

Clifty and Jim

So here’s the deal.

You know at StreetJelly we have been building a series about promoting yourself and succeeding as a musician. Guess what? It is hard work. A creative and diversified approach to generating income will help today’s musicians earn a living.

Your fans, in one form or another, are your customers. But! Don’t try to sell to them. The idea is to be their friend, be in their heart and minds. When they are ready to buy, they will buy. You are their trusted pal.

Did I call your fans customers? Why yes! And if you don’t see them that way, you might quit now and save yourself some time. Your Music is your Brand. If you plan on any monetary success from your fans, then they have to be viewed as customers.

So don’t abuse them like spamming their email with, “buy my this and that.” Remember, they will come to you when they are ready.

Mentally put your suit on. You are a business. This is the music business so get into your business brain. Start spit balling. What would you buy? Here’s a few off the cuff ideas.

A “Love eating lobster and listening to Slam” stickerSummer Red Riding Hood
“That’s my Kind of Music! Danny Campo” coffee cup.
The !clifty: Coffee cup
Summer Russell’s “Red Riding Hood Feet-Pajamas”
Lana’s “Christmas Bunny Hoodie”

So, ideally in a business you deliver a product and your customers pay you for it. For musicians, you are asking them to support your musical livelihood.

Are you making a plan?

Let’s start with some baby steps. Do you have customers? Maybe an email list of fans?
Try this to-do list…

  1. Start a newsletter.
    Goal, populate an email list and send out a bi-monthly newsletter to your fans.
  2. Set a fan base goal. Let’s call it 500 people for this.
  3. When you are at 500 people ask them what they want.
  4. Deliver it for a price.

So here is your assignment. Think up your own ideas. Share them with your friends by commenting below. Make a difference. And thank you for contributing to the livelihood of your fellow musicians, BTW.  ~Clifton Printy

FiddlerMan

Guest blog by FiddlerMan, Pierre Holstien.
Meet our latest SJ friend and join us for the FiddlerMan Jamboree, Feb 21st, 2015, on StreetJelly.com.
The whole fiddle-SJ-gang will put on a fun day of string music in support of their community at FiddlerMan.com.

The FiddlerMan Bio

Pierre Holstein

Pierre Holstein

I’m, Pierre Holstein, otherwise known as FiddlerMan. I grew up and studied in South Florida. Don’t want to bore you with my education 🙂 Played professionally for over 30 years in the US and Europe. Began working as a violinist in South Florida for 5 years including South Florida Symphony Orchestra and Miami City Ballet before moving to Sweden with my wonderful Swedish wife.

In Sweden I was a concert master in Gävle Symfoniorkester and had two great children, Michael 1988 and Emilie 1990. Four years later I became one of the Section Leaders in Malmö Symfoniorkester and stayed for 16 years before giving it all up to move back to sunny Florida with our family. Since professional orchestras in South Florida don’t provide acceptable income, benefits, and security, I felt the desire to do something slightly different.

Fiddlerman.comNot knowing where it would take me I founded FiddlerMan.com with the intention of providing violinists, both new and experienced, a great place to learn, improve, get motivated, and just hangout. In addition to all it’s many resources, interested members participate in community virtual group video projects which they work on, record, submit for me to mix and post on YouTube.

The popularity of FiddlerMan.com led to the start of FiddlerShop.com in January 2012 which I am running with the help of my son. My knowledge of string instruments makes it easier to choose, test, adjust and suggest great affordable instruments for our customers. We also sell Basses, Cellos, Violas, Guitars, Ukuleles and Mandolins plus accessories. I believe that if we can’t satisfy a customer we haven’t done our job.

I strongly encourage our members to perform on streetjelly for it’s unlimited benefits of performance and motivation.

Thanks for this site.

How to get a 1000 Viewers

Special group-guest blog by StreetJelly musicians: Clifton Printy, Peter Bensen, Josh Cline, Image and Family.  They have a combined 28,900+ viewerships to their StreetJelly shows …and still growing.

How to get a Thousand Viewers?

Here’s a clue for you. If you want to set records for the most viewers in an online show, own the world record for the most tips, become an internet streaming pop icon, and maybe even have some fun while making a little scratch; here is all you need to do…

Don’t Suck!

So where do we start? At a show with no viewers, of course. We have all been there. No fun at all. So what should you do? Get viewers! Not too difficult really. What is your mom doing? How about your best friend? Where are you fans from the real world? Did you invite them? Are you using the twitter link? Did you post your show on Facebook? It doesn’t take much time to post a message telling your friends that you are performing.  Also, it may seem like such a small thing, but it’s amazing how much people respond to the personal touch. Send them a message to ask them out to your show.

1,000s of ViewersYou can get a little creative, too. How about posting, “live music no cover with free imaginary drinks,” on your favorite social venue. It works! Try it!

If you have the computer savvy, try using Photoshop, or other such programs, to create posters for your shows. You can post them on Facebook or any other social media type sites to help get your name out there. Print a couple off for your job, friends, and acquaintances. (editors note, i.e. Frankie – try BandPosters.com)

Next, Don’t Suck! No one wants to hear the beginning of Stairway to Heaven sixteen times only to listen to 4 bars of Smoke on the Water. One song well performed is worth more than 100  hours of garbage.

Are you interacting with your guests? Ask them if there is anything about your show they “don’t love” (answers could hurt, but you’ll get an answer).  Want to engage someone? Ask them about themselves.  Be gracious and friendly. Support other artists. Support other artist supporters. Try dedicating a song to your viewers, it’s a great way to show them that you appreciate their support.

It helps to acknowledge your viewers. They are “gold” to you. Try to mention EVERY visitors name. People LOVE hearing their name treated respectfully. Keep an eye on the comments, clappies, and tips. You’ll get a good idea of what works and what doesn’t. Play what the audience says is good (another hard pill to swallow). Let them tell you if it’s good.

Be aware that every show is different. It’s all good. You can do a killer show with only 5 viewers or a horrible show with 20, and those five viewers will come back.  I’ve even found that mistakes I’ve made in a performance are not always caught by the audience. They can still be entertained by a less than perfect show.

The idea is to keep your nose to the wheel. When in doubt, PLAY!!! As it has been said, “If you build it, they will come”. StreetJelly beats performing on your sofa alone for your metronome. People will come and go, but your (total) viewers will accumulate!

Don’t just be a performer in an ivory tower. Watch other shows! Become an active part of the StreetJelly community. There are a lot of people participating in the StreetJelly “thing.” Making new friends, and showing an interest in other artists will foster a curiosity about you, in viewers of other shows. Also, glean from other shows. Nobody knows everything. There is more to know about performing. You can learn a lot from what other people do. Stand on the shoulders of the giants that have gone before you. And, if you can’t stand a show then I like to say, “take the chicken and spit out the bones.” Take the stuff that works and try it. It can be a big help.

“Not sucking” contains a few ingredients. It’s more than playing your instrument, and singing in key. Your overall image as a performer is huge. An engaging, friendly player/singer will do better in the long run at this racket than a pure virtuoso that has the personality of a cardboard box. That doesn’t mean that you need to be something you’re not. It means that consideration for your audience, and their desires will be rewarded in the long run.

The most important part of a successful show is to have fun. If you are enjoying yourself it will show and it will rub off on your audience.

Lastly friends, you are a visionary, so pony up. You have seen that the internet age is going to change the world. You have stated that eventually everyone will want to interact directly with their favorite artist. You know that this is the herald of a new age for performance of music. Time to pay for your entertainment. What? Oh yes we have to make this work from both ends. Why should someone believe that this is a legitimate venue and support you when you wouldn’t support it yourself? Where is the crowd? What are you?