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Flash 17.0.0.169 Issues

UPDATE: May 12th, 2015

Adobe releases Flash version 17.0.0.188 with fixes to this problem. Go to Adobe’s website to get the latest version.

UPDATE: April 16th, 2015

We applied a patch on our side to prevent the issues of garbled sound. Essentially, we turned off the automatic sample-rate checking for audio. Apparently, Adobe has recognized this issue and has put in a bug-report for the Flash Player. Currently, our patch is working and users should not have to rollback their Flash versions (latest version 17.0.0.169 should work!). Let us know if you still continue with problems.

April 15th, 2015

We have had numerous reports, and confirmed it with our own computers, that the latest version of Flash released yesterday, version 17.0.0.169, is causing problems for some playing back streaming video. Symptoms include garbled sound; digital distortion; and/or video speeds up and slows down, then stops and restarts. We have witnessed this problem on Windows 7 and 8, Firefox and Chrome.  However, there are reports to us that this has happened on Safari, Opera (Linux), etc.

If you think you are experiencing these problems, and everything worked on your computer a few days ago; first let’s check what version of Flash have.  Click this link: What Version of Flash do I have?

How to fix the problem?  The current “fix” is to uninstall the latest version of Flash and reinstall the prior one, 17.0.0.134. This is not our favorite approach, but as of today (4/15) this is the only option.  We continue to investigate a better solution.

The full instructions are here from Adobe: Install a Previous Version of Flash

We understand its tricky and appreciate your patience.  Here are our simplified instructions.

  1. First, download and execute the Flash Uninstaller.
    1. Windows  Scroll down to “1. Download the uninstaller for Flash Player” and click on the bullet “uninstaller” link and follow instructions.
    2. Mac  Scroll down to “2. Run the uninstaller applicable to your Mac OS version” and click on the link for your appropriate Mac version.  Follow uninstall instructions.
  2. Install previous version of Flash. Last good version was 17.0.0.134
    1. Click here Archived Flash Player versions
    2. Scroll down to the Flash Player Archives section
    3. Choose the link to Flash Player 17.0.0.134 (235.98 MB)
    4. This will download a compressed zip file to your computer.  Use any unzip program on your computer to decompress to a local folder.
    5. There will be a file to install version 17.0.0.134 for both Windows and Mac in the list.
      1. Windows: execute (double-click) on flashplayer17_0r0_134_win.msi  for Firefox/Chrome plugins, or flashplayer17_0r0_134_winax.msi for IE. Follow instructions.
      2. Mac: install the DMG file as you would normally install any application in Mac O/S.  flashplayer17_0r0_134_mac.dmg or flashplayer17_0r0_134_mac_pkg.dmg to extract a PKG package (double-click PKG to install)
  3. For Chrome users, you have one more step. Chrome uses its own embedded version of Flash. You have to turn off that “plugin” and tell Chrome to use the one you just installed.
    1. In Chrome, type “chrome://plugins” into the address bar.  This will bring up the Plugins configuration page on your computer.
    2. Click on “+Details” in the upper right corner to expand plugin details.
    3. Scroll down until you see the “Adobe Flash Player” (Shockwave Flash) in the list. You should see two files. “Disable” the one pointing to location “…\pepflashplayer.dll”
    4. “Enable” the one pointing to location “…\NPSWF32_xxxx.dll”
    5. Close and restart Chrome.

Some notes: uninstalling and reinstalling will require you to close down all your browsers and restart them.

Please contact us for any assistance.  support@streetjelly.com

Making True Friends Online

Special guest blog by StreetJelly musician Nicole Coward, a.k.a. SongbirdLive, on her recent trip meeting StreetJelly friends (from the US and Canada) in Mexico.

Making True Friends Online

Nicole and Kristi, Mexico 2015

The “new age” question of whether it’s possible to “make true friends online” is an interesting one. ​For sure, one of the things I love most about my experience on StreetJelly.com has been meeting new people. People who show genuine care for each other, learning each others strengths, weaknesses and struggles, supporting each other along their paths and watching each other grow…sure sounds like friendship doesn’t it? So what happens when you finally meet someone face to face whom you’ve already connected with online…

Recently, me and the aptly named “whispering John” were lucky to meet Kristi “Lady Mellow” and Rick “Keys Tomato” when we found out we were staying at places less then 15 minutes apart from each other IN MEXICO and at the SAME TIME!! Small world eh? (that was my Canadian’ness coming out there).

Nicole and Krisit JammingIt was a magical evening, singing together under the stars on a warm night, in the centre square of a small Mexican town. Kristi was fantastic with vocal harmonies, and I was honoured when she told me (before singing together my original song “Through My Window”) how she was so excited to sing this in person after she has sang along with me so many times before in her kitchen. We can easily forget how music connects us, we can never fully see all of it’s powerful reaches, and a platform like Streetjelly really magnifies it!

Friends? Definitely! Instantly! Or maybe we were even before meeting in person 😉 me and John made plans to visit Kristi and Rick sometime, sing more together and we hope to be meeting other “friends” from SJ, in person, in the near future.

Check out the YOUTUBE video John did of that evening…

The Power of Music Playlists

I had the pleasure last month of being a guest speaker at the Nashville 2015 Music Technology and Futures Summit. There, I saw a fascinating presentation by Jay Frank, CEO of DigSin music publishing. His talk was about the disruption of the market caused by Spotify. The article below is not a defense of Spotify, nor does it get into the controversy of streaming royalties, musician payout percentages, etc. It is about how the old ways are just that, old. Read on.
~Frank Podlaha, CEO StreetJelly.com

The Power of Music Playlists

Part One – The New Way People Listen to Music!

Playlists

Playlists

Guess what? Few people are searching for new music out there on the internet! Streaming music services like Spotify are transforming how everyday people consume music. “Playlists” are the new aggregators of music and delivery of entertainment.

A playlist is exactly what you think it is. It’s a collection of your favorite songs. Back in the 80s, we called them mix-tapes. Same thing. Unlike radio, or other music catalogs, playlists are not necessarily organized by music genres. Playlists can consist of any song you like. Heck, it’s your collection – add whatever list of songs you are in the mood for!

Two decades after my mix-tapes, we all learned how to make playlists on our iPods and portable mp3 devices. Now, online services like Spotify have taken that concept and tied it into a streaming service with the social component of sharing playlists among friends. Nothing really surprising about all that, yet. Here’s the amazing part, Spotify has stumbled upon a fundamental difference how the modern listener consumes his or her music.

Overwhelmingly, people do not search music sites trying to discover new music. Yes, when they will first sign up for a streaming service, they will search and create playlists of their favorite bands and soloists. But most consumers eventually signup or “follow” public playlists curated by others. On Spotify, anyone can create a playlist and share it publicly with the whole world. Playlists themselves get ranked in popularity. Those in the Top 50 playlists have 100,000s and even millions of followers.

Playlists are popular because they are not categories by music genres. Instead, they have become popular because they group music in how we emotionally enjoy music.

  1. Mood. So often we flip around the old radio because one station may not match our mood on each song. Sometimes you want Sunday afternoon chill music, or perhaps it’s an evening of love songs, or quick happy pop songs to get you through a long day at work. There is a playlists for each one of those in this new world.
  2. Activities. Getting ready to workout? Put on that techno-beat playlist. Going out on a Friday night, there’s a party dance mix playlist for that.
  3. Time of Day. Our daily schedules also dictate how we feel and what we may need to listen to. That drive-time commute to work each day requires a different playlist of songs to the same drive home in the afternoon. I can’t listen to hard rockin’ metal right before I go to sleep – it’s mellow music time for me.

The millions of users on Spotify generally subscribe to the popular public playlists to listen to the majority of their music. They are NOT searching for new music, and they are NOT purchasing the ownership of music. This is how playlists are changing the very nature of the music industry.

Part Two – Disruption in the Market

Online Music PurchaseOnce upon a time, we purchased music to own. We ran to the record store on new-release day to plop down $10, $15, whatever for our favorite band’s album. If you think of it, however, it was a risky purchase. We buy a dozen songs on that album, but in reality we probably only liked 3 or 4. Plus, we paid our money up front to listen to that music once, a few dozen times, or a few 100,000 times. We took the risk, not the record labels.

When the 99¢ download came out, not much really changed. Yes, we could buy one song and not an entire album of songs for 3 or 4 we liked. But we still had no expectation that we would listen to that one song for decades, or get tired of it after a few weeks. Is the value of a song still the same if we enjoy it 25 times or 2,500 times? Should an artist get compensated more if you play it more?

As consumers, we no longer have to take that risk. With music streaming services, we never actually purchase ownership of that music. We pay only for the momentary rental while we consume that stream. We pay through subscriptions or by listening to advertisers. But unlike radio, we control what we listen to. The musician makes his or her money over time, not all at once with an album sale.

When any market goes through a significant change in how its products are purchased, and when and what moods persuade a purchase; we label that change a disruptive technology.  Entrepreneurs like myself love disruptive technologies. The old businesses who do not embrace that technology, do not last very long.

Part Three – How to Take Advantage of Streaming Services

Yes, you can make money and become successful on Spotify and streaming services. The answer, you guessed it, get your music listed in popular playlists. According to Jay Frank of DigSin, music streaming royalties are significantly higher to any song once it gets listed in popular playlists!

I am not touching the controversy of how much a cut Spotify takes. But an amazing fact has surfaced that new, independent artists can easily make more money on services like Spotify than superstars on that same service. This secret may not last forever, but knowing this now can help boost any music career.

The interesting thing about playlists is that they can be created and managed by anyone. Some of the most followed playlists on Spotify are owned by everyday people who meticulously maintain their songs. How do you get listed in these playlists? The old fashion way, you gotta ask. Nicely!

The playlist owners of today are like the radio DJs of yesteryear. You have to sweet talk them into playing your music. I know, that’s a lot easier said than done. But with a little homework and interpersonal skills, you should be able to get listed in someone’s public playlist. Here are some tips.
Spotify

  • Get to know the playlist owner. “Follow” them on Spotify.
  • Look them up in other social media platforms and make friends with them there.
  • Don’t stalk them! (I know, I had to say that)
  • Learn what type of music they like and fill their playlists with. Don’t expect a classical jazz enthusiast to add your heavy metal EDM fusion tracks to their playlist.
  • Don’t spam playlist owners. Junk mail in any form is still junk mail.
  • Introduce yourself, be helpful, be friendly.
  • Finally, ask politely to include your song in their playlists. These are people, or companies run by people. Treat them as you wanted to be treated if you were in their shoes receiving a 1,000 requests a day.

At StreetJelly, we are also trying to embrace this disruptive technology. We are learning how to network and engage these playlist owners for ourselves. And, we have created our own playlist for StreetJelly musicians, click here. Remember, anyone can create a playlist! So please, help us grow our playlist to zillions of followers. No reason why our musicians can not benefit from more stream plays and royalties.

Become a user on Spotify and follow the StreetJelly playlist. They do have a free-level of membership. If you are a musician and have music on Spotfiy, please send us a message at: support@streetjelly.com, or share your song with us directly within their website (find us under Spotify username “StreetJelly”). We will include up to 3 songs from any of our regularly performing musicians in our playlist.

Who knows where this technology journey takes us? But we won’t sit back and let it pass by!  ~Frankie

Commitment to Musicians Payout

A message from Frank Podlaha, CEO

Pile of TokensMany of you have probably noticed the new Payout Percentage we now display on the StreetJelly BuyTokens page. On the right hand side, we show a running average of the amount of cash that we pay back to musicians from the tokens purchased by fans. Let me explain a little deeper how it all works.

We do things a little differently on StreetJelly than most sites. Instead of just tipping in US Dollar amounts, we use tokens (and Rocker Pin awards) to show our love to the musicians. Each tipped token is always paid out at 16¢ (US). However, we sell those tokens for various prices depending on the size of the package a fan purchases. People like a deal when they buy in bulk. No difference with our tokens. The more you buy, the better price you get. The percentage of the money that goes to the musicians then varies depending on which package is purchased. The tokens vary in sale price from 32¢ to 20¢ (or 50% to 80% payout).

Of course, different people buy different packages. If we average out all the packages sold, we consistently get a payout above 70%. It’s been like that from the very beginning. We have just as many fans buy the larger token packages as do the smaller ones.

However, this is not the complete picture because we also give away tons of free tokens with promo-codes, contests, and other events. Think for a minute what happens when you get a promo-code worth 25 Free Tokens. Those extra tokens still become real cash that we payout to musicians. For example: if you buy the smallest package of 25 tokens at $8 with that promo, you actually receive 50 tokens (25 purchased + 25 free).  The payout to the musicians becomes $8, or 50 x .16 = $8.  100% of your purchase goes to the musicians. Cool, huh!?

We are displaying that full Payout Percentage on the BuyTokens page. It’s a running average over the past 30 days, and includes all the extra tokens we give away. On a side note: it does NOT include any fees/royalties we payout to the songwriters associations (BMI, ASCAP, etc). Those artists get their piece of the pie from our revenue, not the musicians. It’s our obligation to take care of that portion.

We are very proud that our true Payout Percentage is running in the mid-80s! It is our goal to always keep that at or above 80% and still stay in business.

Thank you for all the support!

~Frank Podlaha, CEO – a.k.a. Frankie

Payout Percentage - Feb 2015

Payout Percentage – Feb 2015

 

Building Profitable Entertainers

Special guest blog by StreetJelly musician Clifton Printy to help his fellow musicians.

Building Profitable Entertainers

Clifty and Jim

Clifty and Jim

So here’s the deal.

You know at StreetJelly we have been building a series about promoting yourself and succeeding as a musician. Guess what? It is hard work. A creative and diversified approach to generating income will help today’s musicians earn a living.

Your fans, in one form or another, are your customers. But! Don’t try to sell to them. The idea is to be their friend, be in their heart and minds. When they are ready to buy, they will buy. You are their trusted pal.

Did I call your fans customers? Why yes! And if you don’t see them that way, you might quit now and save yourself some time. Your Music is your Brand. If you plan on any monetary success from your fans, then they have to be viewed as customers.

So don’t abuse them like spamming their email with, “buy my this and that.” Remember, they will come to you when they are ready.

Mentally put your suit on. You are a business. This is the music business so get into your business brain. Start spit balling. What would you buy? Here’s a few off the cuff ideas.

A “Love eating lobster and listening to Slam” stickerSummer Red Riding Hood
“That’s my Kind of Music! Danny Campo” coffee cup.
The !clifty: Coffee cup
Summer Russell’s “Red Riding Hood Feet-Pajamas”

So, ideally in a business you deliver a product and your customers pay you for it. For musicians, you are asking them to support your musical livelihood.

Are you making a plan?

Let’s start with some baby steps. Do you have customers? Maybe an email list of fans?
Try this to-do list…

  1. Start a newsletter.
    Goal, populate an email list and send out a bi-monthly newsletter to your fans.
  2. Set a fan base goal. Let’s call it 500 people for this.
  3. When you are at 500 people ask them what they want.
  4. Deliver it for a price.

So here is your assignment. Think up your own ideas. Share them with your friends by commenting below. Make a difference. And thank you for contributing to the livelihood of your fellow musicians, BTW.  ~Clifton Printy

FiddlerMan

Guest blog by FiddlerMan, Pierre Holstien.
Meet our latest SJ friend and join us for the FiddlerMan Jamboree, Feb 21st, 2015, on StreetJelly.com.
The whole fiddle-SJ-gang will put on a fun day of string music in support of their community at FiddlerMan.com.

The FiddlerMan Bio

Pierre Holstein

Pierre Holstein

I’m, Pierre Holstein, otherwise known as FiddlerMan. I grew up and studied in South Florida. Don’t want to bore you with my education 🙂 Played professionally for over 30 years in the US and Europe. Began working as a violinist in South Florida for 5 years including South Florida Symphony Orchestra and Miami City Ballet before moving to Sweden with my wonderful Swedish wife.

In Sweden I was a concert master in Gävle Symfoniorkester and had two great children, Michael 1988 and Emilie 1990. Four years later I became one of the Section Leaders in Malmö Symfoniorkester and stayed for 16 years before giving it all up to move back to sunny Florida with our family. Since professional orchestras in South Florida don’t provide acceptable income, benefits, and security, I felt the desire to do something slightly different.

Fiddlerman.comNot knowing where it would take me I founded FiddlerMan.com with the intention of providing violinists, both new and experienced, a great place to learn, improve, get motivated, and just hangout. In addition to all it’s many resources, interested members participate in community virtual group video projects which they work on, record, submit for me to mix and post on YouTube.

The popularity of FiddlerMan.com led to the start of FiddlerShop.com in January 2012 which I am running with the help of my son. My knowledge of string instruments makes it easier to choose, test, adjust and suggest great affordable instruments for our customers. We also sell Basses, Cellos, Violas, Guitars, Ukuleles and Mandolins plus accessories. I believe that if we can’t satisfy a customer we haven’t done our job.

I strongly encourage our members to perform on streetjelly for it’s unlimited benefits of performance and motivation.

Thanks for this site.