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The Hay-day of the Drum Corps

The Hay-day of the Drum Corps, by Frank Podlaha

GlocksWhen people ask me if I am a musician, I usually say, “no, I’m a music lover.”  Well, that’s not entirely true.  When I was a kid, I did belong to a few musical marching bands known as drum corps.  I played the glockenspiel, or “glocks.”  The glocks are the marching version of xylophones, in the percussion section.

When best describing a drum corps is NOT to think of a school “marching band” like you may remember back in high school or college.  Although we primarily marched in parades, a drum corps is really nothing like a school band.  The drum corps is made up of much fewer instruments.  The groups I belonged to were mainly fifes and trumpets on the brass side, and glocks and drums on the percussion side.  The repertoires generally consisted of patriotic parade songs, Sousa marches, etc.  For example:  The Stars and Stripes, Yankee Doodle, Yellow Rose of Texas, and so on.Drum Corps

Firemen’s Parades
I know drum corps exist all over, but in my day they chiefly existed as a local town civic organization with close ties to the volunteer fire departments.  I grew up in a small New England town, New Fairfield, CT.  Drum corps were big back in those days, 1970s to the early 80s.  At the time, the local fire departments would host the town’s yearly carnival.  Just like today, the town’s carnival was the highlight of the summer.  Where I live today in Tennessee, they call them County Fairs.  But back then, these firemen’s carnivals were always kicked off with the annual town parade.  Firemen's ParadeThey would invite fire departments from other towns (Connecticut and New York) to participate in the parades.  The parade itself was actually a competition among fire departments to display their best fire trucks and equipment.  Prizes were handed out for best truck, best marching unit (firemen – yes, they marched too), best drum corps, etc.  The fire departments would hire a drum corps to help them march in the parade by keeping time with a continuous drumbeat.  The New Fairfield Volunteer Fire Department would always hire the New Fairfield Sparklers Drum Corps.

Now you get the picture, this is where the fun starts…

The 70’s Were Crazy
I belonged to the New Fairfield Sparklers in the late 70s, early 80s, from about age 10 to 15.  The Sparklers were a kid drum corps, most of them were.  Later in college, I belonged to the Newtown Striders, a “senior” drum corps of adults.  The Sparklers traveled to and from parades in old Bluebird school buses painted in our colors.  Yes, imagine the Partridge Family bus!  Now imagine these buses filled with young teenagers.  The parade season lasted all summer.  At least two, sometimes three, times a week we traveled to a parade and firemen’s carnival in a nearby town.  It was heaven for a kid.  We were carnival junkies.  I think I’ve been to every town’s carnival in western CT and south-eastern NY over the years.

What a blast they were, too.  After each parade, the host fire department would offer free food (hotdogs), beer, and soda for those in the parade.  Most parades were evening time, and we’d get a few hours after the parade to eat some hotdogs and check out the carnival.  It was usually late by the time we all piled back into the buses to head home.New Fairfield Sparklers

They’d all get Arrested Today
Parents, cover your ears!  We did some crazy things back then.  Oh, I forgot to mention: we changed in and out of our uniforms on the bus before and after the parade.  Young girls and boys stripped down to their undies two feet from each other.  I know, what can I say!  I got my first peek at a you-know-what on the drum corps bus.

Firemans CarnivalThe free food and drink after the parades were off to the side of the carnival grounds, roped off from the general public.  We called them “bullpens.”  They were full of 100s of drunken firemen.  You do remember the free beer part?  It was also very easy for a crafty kid to sneak over to the beer side and grab a brewsky.  Uh-em, so I’ve been told.

After the festivities, we all loaded back onto the retro groovy buses for the ride home.  Dark buses were full of hormone filled young teens.  Oy vey!  That glass you hear clanking was a spin-the-bottle game rolling away as the bus made a sharp turn.

Times were definitely different back then.

Lessons Learned
Besides the things I can’t mention, the drum corps was the coming of age for us New England kids of the 70s.  We did learn music, marching, discipline (some), team work, and even a little respect for one another.  Drum corps still exist today, but I’m sure their hay-day has come and gone.  Thankfully, we all made it out safely.

More Testimonials

Last week we posted a question on Facebook about what you love about StreetJelly.  Here are some of the responses…

“And what do I love about StreetJelly?  It’s the great people on the site like the ones below.”  ~Frankie

Streetjelly is the best live music site on the web. Why? Because you can listen to all kinds of different artists from all over the globe with just the push of a button. It doesn't matter what type of music you're into, there is truly something for everyone. And for artists it is especially cool, because you can actually get paid just for performing right from your home. That's right, people actually can tip you with tokens that are converted to real money, meaning you can make money for your efforts. Whether you're a music fan that just enjoys listening to live music or an artist looking for an outlet to perform in front of a live audience, Streetjelly is the place to be. So don't waste any more time reading this...go to Streetjelly.com now and have some fun, because the people there are truly awesome as well. See ya soon on the Jelly!!!!!I was introduced to StreetJelly from my Brother Trevor Holmes ,..and since then I find myself going to the site on a daily basis. I have met SO many wonderful people on there and have never laughed so hard in my life. I not only get to hear Great Musicians play daily,.. but can just be myself and have intelligent conversations in chat while quality Music plays wether covers or originals. I feel very comfortable here playing and also listening . I tell all my Friends, Family & fellow Musicians about it so they can enjoy what I have been honored to enjoy. A quality LIVE webcast sight. I try to send out links on social media to bring other people in to see what they are missing. I don,t always use jelly on my Hot Peanut Buttered toast,...but when I do,...I use " StreetJelly " lol Long live StreetJelly ! Streetjelly is the most awesome site for both musicians and fans alike!. It gives musicians the opportunity to hone their trade in a relatively safe environment. It give fans the opportunity to discover new music and to see live shows of artists they like no matter where in the world that artist is based.My family and I are 100% addicted to Streetjelly. It is a great outlet for us to share the music we love with others. It has also be instrumental in helping my son,Robert, to come out of his shell and interact on a social level with amazing people across the globe. We absolutely adore Streetjelly and wish this great site nothing but the best. Streetjelly ROCKS!!!!!!Streetjelly is the best experience I've had. There are so many talented performers. And really once you've tried one your hooked. Its so much more than just listening. Once you listen You really become a part of a group of friendly people, that is more like a family.WHY I LOVE STREETJELLY? EXCELLENT MUSICAL ARTIST COMMUNITY, RECEPTIVE AUDIENCES, PLUS EXCELLENT INTERNET INTERFACE. STREETJELLY PROVIDES HIGH QUALITY AUDIO AND VIDEO, ALONG WITH FAMILY-FRIENDLY CHAT.

Always would love to hear more! And don’t forget to Like us on Facebook, and follow us on Twitter.

With a Little Help from me Friends

FriendsWe live in interesting times.  Anyone with a few free computer programming tools can create an internet company.  Anyone with a guitar and webcam can broadcast their music to the world and reach millions.  Oops, did I just peg the Bullsh!t Meter?  I did.  While those statements are technically true, they are extremely hard.  Extremely hard!

It’s so hard, we often think it is purely a one-in-a-million chance to make any headway in this world.  Reality TV shows like The Voice and SharkTank give us this sense that we have to “win” our way to the top with luck.  Having great luck does help, and most humble, successful people will tell you that luck did play a major part in their accomplishments.  But I also believe helping-others-to-the-top exposes us to the best opportunities …and is the most satisfying way to get through our busy lives.

It’s really simple, when you can help another person – just do it.  It doesn’t mean you have to fall over everyone you meet (people will think you’re creepy), nor does it mean you have to give-away every product or service you sell for free (people understand you have to make a living, run a business, obey your boss).  But it means a simple gesture of support, an email or phone call to a new contact, or even a purchase of a product or gift can make all the difference in the world to someone.  StreetJelly people are the BEST at this! <3

Yes, I’m starting to sound a bit preachy – but it’s something I try to do as often as possible in my tech world and, of course, on StreetJelly.  Let me tell you about the community I live in and the support StreetJelly gets.  I live in Knoxville, TN, a medium sized city in the foothills of the great Smokey Mountains.  Three main industries prevail in the area: the Oak Ridge National Laboratories (technology/engineering), the University of Tennessee (education/research), and Media/Entertainment.  After the big cities like New York, LA, etc., Knoxville is the 5th or 6th largest city in media and entertainment.  Most of your cable TV programming comes out of companies in Knoxville like HGTV, the Food Network, and so on.  It’s a great place to live and work.

We also have a thriving entrepreneur community supported greatly by these industries (see more about the Knoxville Entrepreneur Center).  As a young start-up business, StreetJelly receives support from a slew of these organizations.  It’s the “rising tide lifts all boats” thing.  This support system works not because of some mandated budget by any one organization, but because the folks involved enjoy (as much as I do) to help others succeed.

LineSharkAudio.com

LineShark Audio

I tell you all this because in the coming weeks, StreetJelly is going to do its part and help promote another music start-up from Knoxville.  The company is LineShark.  It’s a new business where a pair of engineering geeks (I say that affectionately) and part-time musicians have invented a cool universal connector device.  It allows musicians to plug their instrument into an iPad and perform LIVE music back out to an amp with a full studio console of affects.  Yes, Androids work too, but most of the cool music apps are on the iPad.

LineShark is in the middle of a Kickstarter campaign, set to end April 24th, 2014.  We are going to host a “Kickstarter Party” on StreetJelly, April 9th, to help promote their venture.  The actual event will be held at the entrepreneur center, downtown Knoxville.  We will stream a live demo of the product on StreetJelly, plus have guest musicians perform with the device.  It will be a hoot.  It’s the least we can do!!!

~frankie, a.k.a. The King of StreetJelly

ps – Be on the look out for more fun StreetJelly partnerships with local music businesses.

StreetJelly Musicians Play from their Heart

“Another delight happened in StreetJelly Land. SJ Musician DannyC donates his tips to the Wounded Warrior Project.  As a veteran, this kind gesture really hits home.  It is also a great testament to the musicians and viewers on StreetJelly that support one another, support live music, and nourish a community of wonderful people.”
~Frank Podlaha

The proceeds for my 1st month on StreetJelly resulted in 92.80 of tips of which we rounded the charity check up to $100.00 even and mailed it to The Wounded Warrior Project last week. Thanks to SJ and of course all of you who found it in your heart to tip at my sets. We sincerely appreciate you guys!

Danny Campo Donation to Wounded Warrior Project,
Facebook, February 15th, 2014

What is a Family Friendly Site?

“What is a family friendly site, Frank?”

A few people have asked me this question, and I suspect many more are thinking the same thing.  Here at StreetJelly, we often tell newcomers that we are a “Family Friendly Website.”  Inevitably, that has caused some confusion as the definition of family-friendly is as diverse as the community on StreetJelly.

First, let me say that family-friendly on StreetJelly is not a set of specific rules about what words or phases someone can or can not say on air or in the chat.  It is, however, all about common decency and respect for others.

Once upon a time, we were taught as children about a crazy thing called manners.  Some say manners are lost today, and especially lost in the online world of social media.  I say they aren’t.  It’s not hard to remember when online, or in regular public, that we think about our behavior and how we are perceived by others.  When online, it is very easy to offend others and make ourselves look like idiots.  This is made true by the lack of full context in our communications (body language, abbreviated text, misspellings, etc.).  Family-friendly means to think about what you say …or type …before you spew it out to the world.  One can be incredibly rude even if they don’t use any swear words.  (Yes, I’ve heard a few very offensive and despicable people use the excuse, “but I don’t swear.”  As if that makes horrible behavior ok. Oy!)

So the obvious answer is profanity, lewdness, pornography, and gratuitous disrespect are not allowed on StreetJelly.

We are not trying to “silence people,” impose censorship, or restrict someone’s right to express themselves.  Far from it.  Let me repeat, that is as far from the truth as possible.  I will defend anyone’s right to freedom of speech, regardless of what country they are from.  I think my pedigree as a soldier and veteran speaks to my resolve.  But I will also vigorously defend everyone’s right to enjoy music and art without the disruption of a few who can not conduct themselves properly in public.

Here are some simple guidelines to make this easier to understand.

  1. Remember George Carlin’s “7 Dirty Words you can’t say on TV.”  Stay away from them.
  2. Use the movie rating of PG-13 as a guide for topics discussed in shows and chat.

Movie Raiting PG-13

And for musicians, we give you much more latitude for your music.  If your art includes a few swear words, dark topics, etc., you are fine.  We are not judging anyone’s art.  Please take a sensible approach, however, to the diversity of the StreetJelly audience, would they likely be offended, and perhaps give them a warning of your content.

Thank you everyone for letting me rant for a few minutes.

Frank Podlaha,
Founder and CEO of StreetJelly
a.k.a King Frankie

ps – For all the narcissists out there that think I wrote this article specifically to you, that is incorrect.  No wait, if you think that – then YES – this article is totally about you.

The Tape from Hell – War Music

StreetJelly Big Check

Many of you have seen this past week, Frank Podlaha (a.k.a. Frankie) and StreetJelly won first prize in the 2014 Tennessee Veterans Business Association Business-Plan Competition.  Folks have been asking about Frank’s service in the U.S. Army and his time as a helicopter crew chief in Operation Desert Storm.  Here’s one of his stories…

“No shit, there I was…”  All good war stories should start like that.  So there I was, or more precisely, there we were:  Saudi Arabia, December 1990, 2nd Armored Cavalry Regiment, somewhere in the desert north of Hafar Al Batin, south of the Iraqi border.  My buddies and I spent our days maintaining AH-1F Cobra Attack Helicopters.  We were crew chiefs, or more accurately, helicopter mechanics and aviation crewmen.  We were getting our aircraft ready for the impending ground invasion for Operation Desert Storm.  Although at the time, it was known as Operation Desert Shield.

Frankie and AH-1F Cobra

We worked out of the back of a 5-ton Army truck converted into a small tool shop.  It was jammed packed in every corner with wrenches, sockets, gauges, you name it.  It had everything we needed to work on the helicopters.  But the one most important thing it didn’t have: music!  That’s ok, though, as we brought along our own portable am/fm radio cassette player.  I can’t remember the brand – but think of a smaller one-speaker Emerson type model.  It was physically the size of a breakfast cereal box.

Frankie,  Gulf War, 1991

Frankie, Gulf War, 1991

We had plenty of C-size batteries to run the mini boom-box, plus we had AC power whenever we stopped rolling and cranked up the generator.  Six or seven guys hung out daily in the back of this truck.  We all had various musical tastes, but for the most part we all liked the rock classics.  At the time, the best pop music could give us was “Ice-Ice Baby.”  I know!

After a few weeks of being in-country, we ran through playing all our cassettes ad nauseam.  No, there were no radio stations way out in the desert, not even the propaganda station Baghdad Betty.  “Play this cassette.”  “No, we just heard that, play this.”  “No way.”  “Don’t even think about putting that junk on.”  That’s what our musical decisions were reduced to.

Then it happened, purely out of frustration or musical despair, Mike Carper …or was it Bryan Benz, laid down the musical law and said while holding up the Rolling Stones Hot Rocks tape, “we will only listen to this cassette in this truck until we get back home!”  Ooooh-kay.  Sounded like absolute silliness to play one tape for the rest of our tour, but what the hey!

Snake DoctorsAnd that’s what we did, play that double-sided greatest-hits album over and over again in that truck.  And I mean over and over and over and over again.  FIVE MONTHS STRAIGHT!  At first, it was kind of fun, then a bit annoying.  But after a while, it was truly an adventure in insanity to see if we could really pull it off.  Days turned into weeks, weeks into months.

We repaired the tape at least five times.  Yep, you remember those old cassette players – 1 out of 20 tapes got chewed up inside.  Not a problem for us, we were ass-kicking Cobra “snake doctors.”  Surely we can repair a cassette tape.  And we did with a pair of jewelers screw drivers and a little bit of scotch tape.  We spliced that recording back together each time.

We traveled 100s of miles through the desert, perhaps 1000s.  We crossed the boarder into Iraq, entered Kuwait from its north, crossed back into Iraq.  Many sleepless nights, many long days – but we always had Hot Rocks to listen to.  The tape sounded horrible after time.  But it didn’t matter, flip it over and let’s listen to it again!
Rolling Stones Hot Rocks
There you have it, we never played another tape in the that truck the entire war.  The cassette made it back with us to Germany in 1991.  We christened it “The Tape from Hell” and eventually mounted it on a plaque.  The team gave it to Mike, our Sergeant, as a gift when he left the Army.

…and yes, I know every word on that dang album.  And to this day, I have not listened to Hot Rocks since.  ~frankie

“Drum roll please… [brrprrprrprrprr]  And now, Ladies and Jellymen, allow me to introduce… The Tape from Hell

The Tape from Hell

An Online Venue is still a Venue

A special message from Martina, StreetJelly co-founder.

An Online Venue is still a Venue

Store FrontsThe Internet has become a big part of our lives and is often viewed as one big entity. In reality it is an enormous collection of services, businesses and venues. Frequently it is free to users, but it is not free to those who decide to make it their medium of choice to conduct business or offer a service. Instead of paying rent for a physical location, virtual venues pay for bandwidth and hosting. As soon as an individual logs on to a website this person enters a space very much like a physical location. When someone walks into a concert hall or store, it is widely accepted to conduct oneself in a respectful manner and comply with a few rules. Everyone understands a customer walking into a restaurant cannot simply go up to someone’s table and scream insults at a stranger. Online venues are not really that different from conventional locations especially if they offer live video and the opportunity to chat. Live communication among participants closely resembles an actual gathering place. StreetJelly falls into this category.

We are a small company created by music lovers and musicians who pour our hearts, time and financial resources into this undertaking with the intention of making StreetJelly a pleasant, welcoming and fun entertainment venue for musicians and viewers. It is our mission to be all about the music. The musical performance is our focus of attention and the chat was predominantly designed to offer a way of communication between the artist and audience.

We would like to thank our musicians, viewers and all the volunteers behind the scenes from the bottom of our heart and are grateful for all your support and feedback. Constructive criticism and suggestions are always considered and taken seriously. However, no matter how hard we try it is impossible to please everybody and meet the entertainment needs of every single person visiting the website. We are all individuals with varying likes and dislikes and no venue on this planet will be able to satisfy 100% of the population. Over the course of the last year our staff was repeatedly confronted with some extremely rude and disrespectful treatment behind the scenes simply because we did not accommodate the personal entertainment needs of a very small group of our users. We are doing our very best 24/7 and personally go out of our way to be polite and respectful to our musicians and viewers. StreetJelly offers musicians the opportunity to showcase their music and earn some money. We do not charge for broadcasting and pay the fees to songwriter associations to enable musicians to play covers. For those of you who believe StreetJelly is not the right place, be assured we understand. We appreciate the time you spent to give us a try and sincerely wish you the best of luck in finding a venue fit for you. It neither helps us nor does it help the few who spend a vast majority of every day on the website simply to inform us over and over how much you dislike our business model. MartinaHow many people would frequent a restaurant for breakfast, lunch and dinner which serves a type of food they don’t enjoy just to tell the cook every time how much they disliked their meal?

I can’t mention enough how much we appreciate the vast majority of wonderful musicians and viewers. Many of us have even made cherished friends. For those of you we can’t accommodate it is time to move on and search for your perfect place to spend your time.

Thanks again to everyone who shares our vision of creating an online space of mutual respect and extending this respect to our staff and team of monitors who have a very ungrateful job. Hope to see you on StreetJelly very soon. This is not just a business to us, but also a labor of love.

Put Butts In Da Seats

Special guest blog by DannyC, South Louisiana, USA

Larger audiences . . . am I doing my share to “Put Butts In Da Seats?”

Rock CrowdI ask this question as while StreetJelly is no doubt a wonderful site for musicians and songwriters to showcase their talent the fact remains for ultimate success, for performers anyway, we as a group must do all we can to boost the “civilian members” of our audiences. This is of prime importance if indeed you truly want to get compensated i.e. tips from your performances.

For you “true” buskers out there, I’d be willing to bet when you stake out a setup location you are looking for the highest traffic and target music demographic audience you can reach. Well on SJ while we have a built in audience, they are like family, and while I love my “real” family as much as the next guy they are the last group I would ever expect to support my living, especially as a musician. With this said, if we want to grow our tips and audience size we simply must get more music fans to visit SJ.

As a group we can instantly start bringing in more audience members. Look, we all have email accounts, 99% of us have FB pages or websites. I urge you to take a little time, say once a month or so to do some blitz emails campaigns, FB sharing promotions and website links and yes “blatantly plug” your future performances. It’s numbers game guys, the more we “all” tell the story to our contacts and get them to tell it to their contacts the larger the “civilian” audiences will be. And every new music lover we drive to our performance will eventually check out other performers. In fact I encourage you to point out the diversity of music they can hear on SJ in your campaigns. I learned long ago you only gain by plugging other acts as you highlight yours.

Frankie and Martina have a wonderful website built with the musician and music lover in mind, and I like many of you are very thankful for the platform they have given us to showcase our music. But, IMHO, the time has come for “us” to do something to grow SJ. We as musicians just can’t sit back, plug in and expect for our popularity and tips to grow. We owe it to ourselves to do something with this platform they have afforded us to insure it does, as the saying goes the ball is in our courts.

Bottom-line . . . How often do we hear lines like, man we can’t get squat for a 3 hour gig in my town, and the next thing you learn is that very often some cat is playing a gig for “nadda” just so he/she can get “the exposure”. Well we can’t do much about that but we do have the ability and means to help build our SJ “civilian” audiences. My bet is that not only will your tips increase but the more local audience members you bring in the more audience members you will have supporting you in your live events around your town . . . therefore your number of live paid gigs should also increase.

DannyCFellow SJ family members please take this for what it is and no more, a personal opinion offered with the hope that if some of you agree you will get on board with trying to build civilian audiences. Either way, I thank you for your time to read it.

Now let’s count off the next tune 1 ana 2 ana 3 . . .

Best Regards,

Danny C.

Jelly, the New Drug

Special guest blog by Pat Marr, North Carolina, USA

Jelly DealerBreaking News!

Interpol is on the lookout for the global distributor of a new but highly addictive substance called STREETJELLY. The mastermind appears to be a deceptively congenial programmer named Frank Podlaha ( AKA “Frankie” or “The King” by his minions on the STREET)

He has single-handedly constructed an elaborate system which enables performers to connect with audiences ANYWHERE ON THE PLANET! At first look, this seems innocent enough… but now, health care providers around the world are reporting an epidemic of symptoms that indicate a new addictive substance has been unleashed.

Symptoms include the following:

  1. the irresistible urge to play music on StreetJelly until 5 am even though you know you have to get up for work in the morning
  2. the inability to get through a ten-minute period without checking StreetJelly to see if somebody new started playing since the last time you checked.
  3. cashing in the 401k to buy tokens
  4. sweaty palms and shaky legs unless you’re sitting at the computer watching StreetJelly
  5. playing hooky from school, work or other important responsibilities in order to get your StreetJelly Fix
  6. the realization that the only time you experience true euphoria is when performing on or watching StreetJelly

 

If you have any of these symptoms, don’t bother reporting it because there is no cure. Your best bet is to surrender and enjoy the euphoria.

PS: it’s not illegal (YET)… but federal agents say it’s more fun than a lot of things that ARE illegal. Your call.