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The Power of Music Playlists

I had the pleasure last month of being a guest speaker at the Nashville 2015 Music Technology and Futures Summit. There, I saw a fascinating presentation by Jay Frank, CEO of DigSin music publishing. His talk was about the disruption of the market caused by Spotify. The article below is not a defense of Spotify, nor does it get into the controversy of streaming royalties, musician payout percentages, etc. It is about how the old ways are just that, old. Read on.
~Frank Podlaha, CEO StreetJelly.com

The Power of Music Playlists

Part One – The New Way People Listen to Music!

Playlists

Playlists

Guess what? Few people are searching for new music out there on the internet! Streaming music services like Spotify are transforming how everyday people consume music. “Playlists” are the new aggregators of music and delivery of entertainment.

A playlist is exactly what you think it is. It’s a collection of your favorite songs. Back in the 80s, we called them mix-tapes. Same thing. Unlike radio, or other music catalogs, playlists are not necessarily organized by music genres. Playlists can consist of any song you like. Heck, it’s your collection – add whatever list of songs you are in the mood for!

Two decades after my mix-tapes, we all learned how to make playlists on our iPods and portable mp3 devices. Now, online services like Spotify have taken that concept and tied it into a streaming service with the social component of sharing playlists among friends. Nothing really surprising about all that, yet. Here’s the amazing part, Spotify has stumbled upon a fundamental difference how the modern listener consumes his or her music.

Overwhelmingly, people do not search music sites trying to discover new music. Yes, when they will first sign up for a streaming service, they will search and create playlists of their favorite bands and soloists. But most consumers eventually signup or “follow” public playlists curated by others. On Spotify, anyone can create a playlist and share it publicly with the whole world. Playlists themselves get ranked in popularity. Those in the Top 50 playlists have 100,000s and even millions of followers.

Playlists are popular because they are not categories by music genres. Instead, they have become popular because they group music in how we emotionally enjoy music.

  1. Mood. So often we flip around the old radio because one station may not match our mood on each song. Sometimes you want Sunday afternoon chill music, or perhaps it’s an evening of love songs, or quick happy pop songs to get you through a long day at work. There is a playlists for each one of those in this new world.
  2. Activities. Getting ready to workout? Put on that techno-beat playlist. Going out on a Friday night, there’s a party dance mix playlist for that.
  3. Time of Day. Our daily schedules also dictate how we feel and what we may need to listen to. That drive-time commute to work each day requires a different playlist of songs to the same drive home in the afternoon. I can’t listen to hard rockin’ metal right before I go to sleep – it’s mellow music time for me.

The millions of users on Spotify generally subscribe to the popular public playlists to listen to the majority of their music. They are NOT searching for new music, and they are NOT purchasing the ownership of music. This is how playlists are changing the very nature of the music industry.

Part Two – Disruption in the Market

Online Music PurchaseOnce upon a time, we purchased music to own. We ran to the record store on new-release day to plop down $10, $15, whatever for our favorite band’s album. If you think of it, however, it was a risky purchase. We buy a dozen songs on that album, but in reality we probably only liked 3 or 4. Plus, we paid our money up front to listen to that music once, a few dozen times, or a few 100,000 times. We took the risk, not the record labels.

When the 99¢ download came out, not much really changed. Yes, we could buy one song and not an entire album of songs for 3 or 4 we liked. But we still had no expectation that we would listen to that one song for decades, or get tired of it after a few weeks. Is the value of a song still the same if we enjoy it 25 times or 2,500 times? Should an artist get compensated more if you play it more?

As consumers, we no longer have to take that risk. With music streaming services, we never actually purchase ownership of that music. We pay only for the momentary rental while we consume that stream. We pay through subscriptions or by listening to advertisers. But unlike radio, we control what we listen to. The musician makes his or her money over time, not all at once with an album sale.

When any market goes through a significant change in how its products are purchased, and when and what moods persuade a purchase; we label that change a disruptive technology.  Entrepreneurs like myself love disruptive technologies. The old businesses who do not embrace that technology, do not last very long.

Part Three – How to Take Advantage of Streaming Services

Yes, you can make money and become successful on Spotify and streaming services. The answer, you guessed it, get your music listed in popular playlists. According to Jay Frank of DigSin, music streaming royalties are significantly higher to any song once it gets listed in popular playlists!

I am not touching the controversy of how much a cut Spotify takes. But an amazing fact has surfaced that new, independent artists can easily make more money on services like Spotify than superstars on that same service. This secret may not last forever, but knowing this now can help boost any music career.

The interesting thing about playlists is that they can be created and managed by anyone. Some of the most followed playlists on Spotify are owned by everyday people who meticulously maintain their songs. How do you get listed in these playlists? The old fashion way, you gotta ask. Nicely!

The playlist owners of today are like the radio DJs of yesteryear. You have to sweet talk them into playing your music. I know, that’s a lot easier said than done. But with a little homework and interpersonal skills, you should be able to get listed in someone’s public playlist. Here are some tips.
Spotify

  • Get to know the playlist owner. “Follow” them on Spotify.
  • Look them up in other social media platforms and make friends with them there.
  • Don’t stalk them! (I know, I had to say that)
  • Learn what type of music they like and fill their playlists with. Don’t expect a classical jazz enthusiast to add your heavy metal EDM fusion tracks to their playlist.
  • Don’t spam playlist owners. Junk mail in any form is still junk mail.
  • Introduce yourself, be helpful, be friendly.
  • Finally, ask politely to include your song in their playlists. These are people, or companies run by people. Treat them as you wanted to be treated if you were in their shoes receiving a 1,000 requests a day.

At StreetJelly, we are also trying to embrace this disruptive technology. We are learning how to network and engage these playlist owners for ourselves. And, we have created our own playlist for StreetJelly musicians, click here. Remember, anyone can create a playlist! So please, help us grow our playlist to zillions of followers. No reason why our musicians can not benefit from more stream plays and royalties.

Become a user on Spotify and follow the StreetJelly playlist. They do have a free-level of membership. If you are a musician and have music on Spotfiy, please send us a message at: support@streetjelly.com, or share your song with us directly within their website (find us under Spotify username “StreetJelly”). We will include up to 3 songs from any of our regularly performing musicians in our playlist.

Who knows where this technology journey takes us? But we won’t sit back and let it pass by!  ~Frankie

Live Paying Gigs – Where The Fish Are

Live $$$$$ Gigs – Where The Fish Are, by Danny Campo

Special guest blog with great advice and marketing tips to find paying gigs.

Disclaimer: Please take the content of this blog for what I intended, and that is to help us maybe take a different approach to both the way we look for gigs but even more importantly “where” we look for gigs. If you have already adapted this plan obviously the content does not apply to you, but if this approach is news to you, it should help you get more “paying” gigs starting as soon as you want to start.

Danny Campo

Danny Campo

“Man, the live music scene is dead in my town, I just can’t seem to get a paying gig any where.” If I had a nickle for every time I have heard that over the years, well I wouldn’t be rich, but I’d have a crap load of nickles! What I do hear a lot of, “the venue owner wants me to come in and play for nothing until he deems me acceptable to his establishment and clientele, and maybe then we can negotiate my fee.” I like to tell them, OK that will work as long as I can bring my family in to dine and drink until we decide if we like your food, and then we’ll negotiate your menu pricing.

First and foremost, I thank the Good Lord every day for the number of “payed bookings” I get every year. They keep me buying my music toys and help me fund my charitable non-paying gigs and related expenses. Now with that said, I am no fool as I know that many of you SJ performers blow me out the water with your talent and skills. So why is it that I am booked while some of you are not? Well maybe some of you don’t want any live gigs and I respect that totally. But for the ones who would like to be playing more and getting paid for the gigs there must be another reason. I think that reason, as another good fisherman SJ performer Kenny Z would agree, is that I am simply fishing where the fish are. And of course by that I mean adapting to a different type of venue that is not usually associated with live music and its patrons, at least in our musician minds.

Now before you read down further please keep two very important words in mind when dealing with these alternative venues. The words are “adaptability” and “versatility” because very often these venues will ask and expect you to adapt your style and maybe be more versatile with your play-list to suit their clientele. So if you are a musician who says, “I will not play a certain genre of music.” Some of these gigs will not be for you. Of course personally, I offer right up front, No Rap and No Heavy Metal or Hard Rock. In my case I can just about see what they are thinking, maybe something like, “duh no kidding pops.” But these genres are usually not a big request with the clients you will find down below anyway.

In the next paragraph I am going to let you know what took me years of research, planning and cold sales calls to make the connections. In other words I am going to tell you where the fish are.

The Fish

Corporate Functions: From annual award dinners to all types of holiday parties. Everyone who has a sign on their door doing business is a potential client. From doctors and dentists to hardware stores, lawyers and banks. They will also help you get your foot in the door of venues who cater these events. FYI . . . I play all of the above including auto dealerships “Special Sales Events” and can even be found at some “Bank Branch’s Grand Openings” sitting on a stool playing some background jazz from time to time.

Often you can speak with your local restaurants and caterers to find out who is booking these type of events. You can then start the contact by doing a mailing inquiring about their corporate social events, let them know a little about what and where you play, where they can hear some of your music and an offer to meet with them to discuss any “special events” they may have in their plans. Sometimes I just knock on their doors and introduce myself to the receptionist and ask who plans their corporate functions, that simple.

Independent and Assisted Retirement Communities: These are not your granddad’s nursing homes, heck I play one where it costs the client a $150,000 upfront non-refundable fee just to get an apartment. So you can bet these clients are not satisfied with a movie in the VCR and some warm milk for Happy Hour. They expect good local lively entertainment, great food, and a 2nd-to-none selection of Wine and Spirits …and they get it. All of these establishments have a Social Director on staff along with a budget to hire live entertainment. I have also booked many private functions including birthday, anniversary and assorted social events held in private homes and other venues as a direct result of playing the retirement circuit.

Google them, then pay a visit to the Social Director to discuss what you have to offer and your fees. I am lucky enough to have been playing upwards of 75 of these upscale venues over the past 10 years. Nice easy fun one-hour gigs for wonderful music savvy audiences. Mostly late afternoons which leaves plenty of time to play elsewhere if I choose later in the evening or night. Another plus is that they like to book in increments of 6 months to one year in advance.

It may take a couple of years but once you get intrenched in the corporate scene in your area I can almost promise you will get as many of these gigs as you like, to the point of picking and choosing who and for what fee you want to perform.

If anyone would like to speak with me in depth as to my personal experiences with these venues just drop me a note on my Facebook page.

Now let’s play some music, one . . . two . . . three . . . etc!

PS: Now don’t get so many gigs that we won’t see you on StreetJelly anymore. Oh, I think that is in the contract anyway, just ask Merv! lol